Fashion Portfolio Building Workshop Part 1 - Makeup for the Camera
credits: all photos by Andrew Matusik, makeup
by Joanna Schlip, Joann Gair, Sharon Gault, and Melanie Randolph.
Due to many factors having to do with light, color temperature, and the form of
media being used, many makeup artist are not aware that what they create
visually is not necessarily what will appear on screen or in print when the
final product is produced. This class is designed to help educate you to the
various processes and protocols relating to image capture and it’s relationship
to various makeup applications. You will be made aware of technical
considerations from a production point of view and how to compensate for these
differences to assure your work is accurately represented and appropriately
appreciated. Additionally we will take you from the beginning of a shoot through
completion and discuss all considerations and concerns that face a make up
artist and how to appropriately handle them.Class topics:
- Digital vs. Film: What is the difference and how
should you compensate. What is the relation between mega pixel and quality of
image.
- Lighting and Color temperature: Learn the meaning
and differences between flash, daylight, fresnel, kino flo, Strobe, soft, hard,
wrapping, spot, direct, side, temperature, ISO…
- Make up room light: Light temperature and color
variance between the makeup room and the set.
- Angle of incident: How does the angle and light
intensity effect make up and skin definition.
- Communication: In pre-production what should you
ask the photographer? (color palette, inspiration, model’s info, etc.)
- Creative collaboration: How much input should you
interject to the project’s vision. When is appropriate to interject your ideas
and opinions.
- Set etiquette vs. backstage: Communication and
etiquette with your assistants, the talent, crew, photographer and client.
General do’s and don’ts and set protocol.
- Client vs. Photographer: Who’s vision do you
execute how do you balance set conflicts.
- Getting images from the job: Prints vs. Disk. When
should you retouch. Photo printers and printer resolution.
- Question and Answers: Class will open up to answer
any questions that artist might have encountered and were not sure the
appropriate way to address.
Tuition:
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1st day: classroom
only, $275.00
2nd day: LAB
only, $395.00
both
days: $650.00 |
Time:
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Supplies:
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Prerequisite:
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